When Jisel Soleil Ayon steps into the role of Angelica Schuyler in the national tour of Hamilton in Spokane, running from April 8 through April 20 at the First Interstate Center for the Arts, she will bring with her far more than just a stellar voice and stage presence. She carries a curious mind, a love for her craft, and a strong sense of identity that fuels her belief in the power of cultural representation in the arts.
Ayon, who hails from Long Beach, Calif., has been performing since high school. She is no stranger to the theater world. With credits including the second national tour of Waitress, where she played Jenna, and a host of regional performances, her path has been shaped by a deep love for storytelling. But as she reflects on her career, one thing stands out: She embraces the power of versatility on her journey.
“I didn’t always think I was going to pursue theater professionally,” she said. “I didn’t think that was an option for me.”
It wasn’t until her third year of college, with the encouragement of a mentor, that Ayon transferred schools to chase her dream. That decision led her to her first professional role in Lizzie, which ultimately led to a successful national touring career. The off-Broadway theater scene is helping Ayon steadily build a name – and a legacy – for herself. Reflecting on what it means to be a woman of color in the industry, she notes that Hamilton is the only show she’s done that specifically centers on casting people of color.
“Most other productions I’ve been in weren’t written with people like me in mind,” she said.
And yet, her presence in those spaces matters deeply. While being the only person of color in a cast can be isolating, the impact is undeniable.
“It’s really rewarding when I get a message from someone saying they saw themselves in me. That kind of visibility is powerful,” Ayon said.
Representation, she said, is more than just being cast – it’s about being seen. It’s also about making space for the next generation. Being of Black and Mexican descent herself, Ayon started a podcast called “Mixed in the Arts,” where she talks with other multiracial and multiethnic artists about their unique experiences.
“It’s about having honest conversations and keeping our identities at the forefront,” she said.
For Ayon, Hamilton offers a unique opportunity to blend art, history and representation in a way that resonates with audiences of all ages and backgrounds.
“I wasn’t a fan of history growing up,” she said with a laugh. She recalls how her mother used to joke that she could learn anything if it was put to music. “Shows like Hamilton make history accessible – especially for young people.”
But life on tour isn’t without its challenges. Maintaining routines and self-care can be tough when you’re constantly on the move. Ayon prioritizes mental and emotional well-being through therapy, exploring new cities, and indulging in unexpected joys – like pie.
“I try to find things in each city that bring me joy,” she said. “Right now, I’m actually sitting in a pie shop – I started visiting them because of my role as Jenna in ‘Waitress.’ It’s become something fun I look forward to in every city. But really, the most important thing is taking care of your mind and your heart.”
When asked what advice she’d give to young artists, her message is clear: Don’t make your art your whole identity.
“Try everything. Live fully. Be well-rounded,” she said. “That makes you a better artist.”
She encourages up-and-coming performers to embrace the freedom of youth and exploration.
“If there’s one legacy I hope to leave, it’s that you can try anything you set your mind to,” Ayon said. “Go for it, have fun and embrace the experience. I also hope to be remembered for leading with kindness, building community, and giving back – especially to those who are just starting out or in need of support.”
While Ayon sees the value in mentorship, she believes even more in the importance of a strong, supportive village. “Your friends, your family – the people who make you feel safe and grounded. They should be the ones who uplift you and give you the strength to take on the world. It truly takes a village.
“My loved ones are my foundation,” she added. “They keep me balanced and remind me of who I am. So while mentorship can be beneficial, what matters most is surrounding yourself with people who make you feel secure, accepted and cared for.”
As for what’s next, Ayon has no plans to limit herself. “I want to experience life – to act, maybe explore film and TV, to craft, to create. I don’t want to be boxed into one thing.”
Ultimately, she says, her dream role doesn’t exist – yet. “I want to originate a role one day,” she said. “To bring a character to life from scratch, to help shape a new story.”
Until then, Jisel Soleil Ayon will continue to shine – on stage and off – using her voice to uplift others, break barriers and redefine what representation in theater truly means.